Well, let's see. . .
BFR from Paris, you're quite welcome for the page numbers. And as for Main Street, yes, well, get there early for good seats! And, on the QT, I'm kinda wonderin' myself how Tara will get outta this one. . . .
Grimlock72, well, no one is harder on my writing than me, so when I see problems with my story, and 'settle' anyway(even when I'm not too, too happy about it) and then others point out the exact problems I saw, I say 'failure.' What can you do, eh? I do appreciate that you think I've written the story well, though, that means a great deal, really. Thank you.
I, too, have always loved to watch the character of Willow reacting emotionally, whether it be protective or angry or what have you, mostly because it seems that it is "out of character" for her usual calm, scientific self. Generally, as you say, the results aren't too good, and yet that she keeps doing it, I think it says a great deal more about her character(although all the characters seem to make the same mistakes over again, just in different situations). And I really like writing that character of Willow.
I'm curious about what you said: "It's just that I've seen to many people hang on to irrational belief based on nothing... it's not good to get your hopes up based on thin air. For a change I want to protect Dawn a bit." I'm wondering if you mean in 'Real Life' or in 'Fiction World.' Hmm. . . . I can't really address the first, but as for the second, I understand your desire to want to protect Dawn from having her hopes dashed away. I wrote Buffy saying she agreed with Giles' thoughts re: Tara, as one sister(Buffy) giving another sister(Dawn) hope and belief; the fact that Buffy is The Slayer as well, I feel, should give Dawn a little more than hope, but that may not have been written overly clear. I would never treat the characters so callously( like some unnamed production entity) or disrespectfully(ibid) as to just loft them up to be 'bitch-slapped around.' That's just not me, or how I write. So, G, have hope. . . and faith.
The Scoobies 'going to find Tara' as opposed to saying they're 'going to find Madrine.' Well, that was really just how I thought they'd speak about it, truthfully. For me, they
would say they wanted to find Tara; that Tara is with Madrine, and they will have to find Madrine to accomplish that, I felt that that was implied. Guess not. Oh, well.
Why was the limo there? If you mean the hospital, you may remember that Fonce and the Scorpion people watched the ambulance come, and they followed and waited for Tara to exit the hospital. Granted, Madrine and Fonce's belief that Tara would go all revenge-ey or self-sacrifice-y was a giant leap, but, hey, what can I say, writer's perogative.
And Main Street. I think I mentioned -- more interesting than just the Summers' house or The Magic Box. But, moreover, Tara's nightmare(precognative nightmare that is), and Buffy's confrontation with Madrine, the billboard, all of it happened on Main Street, or alleys directly off of it. I also view Main Street as the 'epicenter' of Sunnydale, even if the Hellmouth is under the school. I see Madrine(who appears unadorned and common) as loving to have ostentatious things around her, to bring attention to herself vicariously, allowing her to be the 'epicenter.' I don't know, I'm working on her. . . . So, this is where they are starting.
Madrine & magic. Yes, she has the right stones and necklaces and accouterments necessary to magickally aid her 'cause.' Yes, it is preparation, *cough* foresight. You may remember the brief appearance of the Cassandra character. But, why I see it as power is this(and it's just my opinion): those in powerful positions often appear more 'powerful' when they have powerful people around them. As Machiavelli wrote(and I'm just paraphrasing), those who work for a ruler(king, president, etc.) reflect who that ruler is. Thus, having them around her, controling them, she seems powerful; and, when she does choose to demonstrate her abilities(fighting, killing, intelligence, etc.) She becomes even more so in the eyes of those around her. Anyway, that's what I'm aiming for, and it might not come off, but. . .
G, for me, script format is sooo easy. It's the economy of language I like. That, and the fact that in scripts, the director, art department, camera, wardrobe, etc. They are responsible for showing every little detail to the audience. A writer may be specific in the script if he/she wants, but chances are, a director or producer will just cross it out and do it their own way. In narrative, if I want you to see the mansion a certain way, I must describe it in minute detail. Clues, sights, sounds, touches, tastes, whatever -- all must be described to be experienced. No visuals to aid me. That's been very difficult for me in this story.
Whether or not Willow will get to have that *cough* chat *cough* with Madrine, well, can't really say, but I think you may like what you see, er, read, whatever, you understand what I mean.
And please do comment on other parts of the story if you'd like. I love reading feedback from you all, and my, my, you are quite chatty yourself! Haha! I like that, too.
VampNo12, I was hoping I might hear from you again. I always look forward to your replies, you know. You enjoyed Grim's remarks too, huh? Pretty nifty, I agree. Makes me wish I was a better writer. Hehehe!
I'm glad that you enjoyed the Giles/Buffy interaction. I 'liked' it myself, but I just had my problems with its overall effect on the story. I enjoy writing the Buffy/Giles dialogues; they always seemed very funny, what with her so atypical and him so staunchy. Anyhoo. I find myself thinking more and more that they have moved beyond the Watcher/Slayer relationship; yes, they still need one another in those roles, but they have grown up, and apart to some extent. Their relationship must reflect that as well. Hence, Buffy's need for a friend(hmm, fatherly figure) first, then a Watcher(boss-type know-it-all).
Hmm, maybe not so far off base, really. Shhh. . . . I'll never tell though.
Grimlock72, hmm, you are a chatty Cathy, aren't you!? Haha! Well, the Dispiriting Stones are still around, but not in the vicinity per se. Tara is rather like an airplane on the tarmac: she's in a holding pattern. That's a weird analogy, even by my standards. . . .
The Charm necklace. Well, yes, possibly both. Again, though, it's all to come. Be careful -- this is called Darkness Falls, and whether Tara wants to use magicks against her friends and other innocents, well, that may be beyond her control. . . . Why did she believe Madrine? One, I think because Tara
would believe her; she hadn't killed her, or vamped her, or let anyone else do those things, so she was kind of playing the odds. Two, I think Tara would believe that Madrine would
let her tell the Scoobies about the cure; she had to believe she could save Willow, really, no matter the cost. Kinda harkening back to the hope in the face of contradictory evidence.
Well, I've had a lot of responses to the poisoning/street scene and the hospital scene. Many remarks were sent privately, just saying how 'true' and 'real' and 'devastating' they were. I know it seems strange to say I'm glad and happy about that, but. . . I tried very hard to express so much in those scenes. It was not exactly 'warm puppies' for me either. And, Willow's last line, yes, well. . . .
Thanks again, G, fab-O(if I knew how to do these darn emoticons, I'd have a bowing one or something). You'll have to settle for *Kris smiles*
Kris
"Frell that!"