Trouble building word-count? Here are some ways to help the creative juices flow...
So, you didn't enter the project with a definite plot in-mind... No big deal. A lot of pros just spill whatever they can for the first draft and then turn it into a coherent story later. Here's a few ways that they do it:
1) Write SCENES. The scenes don't have to connect to each other just yet. If you think that you can place your character(s) in a stuation and record their reaction(s) to it, then you have the makings of a scene. Scenes are really just mini-stories, afterall.
2) Make your characters special, and you'll be more motivated to write about them. Not just special to you, but special to everyone. Make them robust and proactive, pepper them with little quirks that give them a clear uniqueness, give them tragic or fatal flaws. Interview them if you have trouble...
["Abi, what's the most shameful thing you've ever done?"
"I shoplifted when I was thirteen."
"There must be more to it than that... Lots of people have shoplifted in their adolescence."
"It was just a stupid thing. My friend Jeanine and I were in Zed-Mart and she swiped a lipstick. I took one too, and we got caught."
"I assume your parents were pretty upset, Abi..."
"They never found out. The security guy called Jeanine's mother, and her older sister answered. She played it off real legit, pretending to be her mom. She talked the guy into letting us go."
"Did you walk away from the store?"
"Heck no! We bolted. A car almost ran me over in the parking lot because we weren't looking where we were going. I can still smell the smoke from the screeching tires... Every time I smell that, my heart speeds up, and I remember..."]
A simple exercise that gives us a scene idea, character info, and even some conflict for coming scenes... Will Abi go back to the store? Will her parents ever find out? Would they care, or are they just drug-addled reprobates?
See what I mean? I hope so.
3) Always look for conflict. Your characters have needs and wants-- just like real people. Make sure that they have a tough time realzing and achieving them-- again, just like real people. Conflict is the gasoline (petrol) for your story-engine. The greater the conflict, the more scenes you'll be able to dream-up, and the greater the payoff -- both for the reader and the writer-- when they're resolved or redirected.
Good luck Kittens!
-SQ
P.S. Just for hahas... I once wrote 36,000 words in five hours-- An wound-up keeping most of them
If I can do it, anyone can