If Ruth's post was supermetafeedback, this must be ... well, I give up on coming up with a comprehensible name for it. Let's simply call it "just another feedback post."
I started out wanting to rewrite the past couple of seasons and the characters asserted themselves and did it for me.
I've been outlining and outlining for about three months until Tulipp recently told me that I needed to stop and write something because you're right--you need to have a plan, but you can't plan everything and at some point you need to start writing and let your characters take you where they want to go.
One of the things I love about your story is that you've taken what seems to be question with only two answers--what should Willow do: remain in the past with Tara or return to the present without her--and discovered a third answer. As Ruth said, all of the realities here hold such sorrow and such love. How can you, as author, choose between them? And of course, you don't, you do something more complex, better, that feels truer to life.
You can't create a perfect life for yourself simply and improving your life often makes it more complex in some ways. Stories can be different and choose the simple perfect path. A lot of fanfic alters reality from canon to create a simpler, better world, but really good fanfic rejects the dichotomy between the simple, perfect fanon and imperfect canon in favor of a more complex, richer world. What's wonderful here is that you've not only done that on the level of the characters' new reality but also in the meta-level of the merging realities, letting the reader see the whole process of formation as the new world is created.
Hopefully that makes sense. I'm really struggling for words here.
While I haven't asked, I was wondering about who Occum was all through your story, assuming that you'd eventually explain it by the end, but then you distracted me with your surprising ending so well that I completely forgot about it until I asked my question about the razor and the heart.
Tara was always harder for me and I think a lot of that is the fact that her character was neglected on the show (not to mention that I tend to over-identify with the babbling redhead).
I know what you mean. Willow is easy because I identify with her strongly; however, Tara is hard because she's different from me, though I envy her ability to feel her way and trust what the world is telling her as you describe in an earlier post.
While we don't know much about Tara, there is an essence of her character that comes through despite how few lines she had and how few people she got to interact with. (Incidentally, Tara's interactions with the other Scoobies is the only reason I watch or read scenes from most s6 episodes again.) I guess what I'm trying to say is that Tara's held down not just by her past, as Ruth points out, but by her canon writers who either ignored or avoided exploring her true potential which is so well developed here.
I think you're right Ruth about the important of truth in characterization. Combining the elements of your post, I'd say that good storytelling is holding to the
truth of your character while showing the reader something new about her that takes them
beyond their initial understanding but that clearly follows from the essence of the character. It feels right to me, and I hope I haven't distorted your ideas by summarizing them in such a brief manner.
p.s.: Was Spike in the story? I've already forgotten him if he was. (-;
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"Omnia mutantur, nihil interit." -- "Everything changes, but nothing is truly lost."