Yes, the ending is at the beginning, isn't it? I suppose that sets a precedent for the entire book, because if the end is awful, how on earth is the middle and the beginning going to be better?
I agree about the characters, SallyMcFine, they are all weak. Weak in the sense that there's nothing about them to make you sympathise, be happy for or have any type of emotion for
at all!
There was no plot, no sense of suspense, nothing to laugh about, nothing to cry about. There was a mundane steadiness about all of the scenarios of each character from the end to the beginning. It's a shame. This book could have been good if Sarah Waters had used the imagination and talent we have had a glimpse of with 'Fingersmith'.
The Night Watch was her first book being in third person, wasn't it? I never thought I would ever say this, but, perhaps she should stick to first person.
And Knock-yourself-out, I would like to know why this awful book is on the Man Booker Prize longlist too!
On a different note. Im going to read 'The Copycat' by Erica Spindler next.
